At this distance all the street art I hear about in Shepard Fairey’s old Hollywood stomping grounds these days is right-wing, either The Faction or SABO.
(Hollywood the neighborhood hasn’t equaled “Hollywood” the industry since the 1940s)
There is a tradition of Gen X West Coast counter/subcultural right-cynicism though, expressed through humor and cartooning – Jim Goad and Nick “A. Wyatt Mann” Bougas at Answer Me!, Suck.com (large portions of which was absorbed by Reason magazine), Peter Bagge and Hate, John Swartzwelter writing for Army Man and The Simpsons
Really it was part of the same cultural ecosystem as Fairey and Adbusters, honestly as Spy and Vice and Bloom County and Life In Hell and Calvin & Hobbes tbh, even Beavis & Butthead/Daria, a Gen X disillusionment with/loathing of the normie world
But then that became the culture and got its edges softened and everyone forgot how to operate as a counterculture
(I was lately like “wow, Hard Times and Reductress AND Babylon Bee are all really good rn, why is all the good satire subculture-specific?” Then I realized The Onion’s “overeducated college town slacker with Thoughts about pop culture” was subculture at debut)
But now we’re cycling back out and it’s been rediscovered
This thread was wild, especially because the OP was posting webcam photos from nearby right after the first plane hit. Possibly before CNN even reported on it.
wow terrorists hijacking a plane that’s fucking rich, you idiot, you complete buffoon
This poster might be one of the first dozen people in history to publicly accuse Osama Bin Laden, possibly before any news agencies, and their post has the words “ROTFL Owned” in it.
During the American Revolution, printer James Rivington’s Gazette was something of a proto-NY Times: Manhattan-based, but with a broad circulation and the most international coverage in the colonies. It was also the biggest newspaper not to tilt to the rebels, first offering a platform to all factions and then increasingly Loyalist.
This was not universally well-received. Isaac Sears, the privateer-trader who organized the merchants of New York into the Sons of Liberty, pushing back against British regulation which cut into their profits and backed by the threat of mob violence, described Rivington thus:
He would appear as a leading man amongst us, without perceiving that he is enlisted under a party as a tool of the lowest order; a political cracker, sent abroad to alarm and terrify, sure to do mischief to the cause he means to support, and generally finishing his career in an explosion that often bespatters his friends.
I have known a Statute of Lunacy taken out, upon a degree of conduct less exceptionable than this I have described: If the relations of our politician, should find his estate wasted by means of his patriotism, and they choose to improve upon this hint, I assure them, it is heartily at their service.
They did not. (A “Statute of Lunacy” was the period version of involuntary psychiatric commitment)
The Sons of Liberty arranged a series of hanging-in-effigies of Rivington, complete with a poem by revolutionary poet Philip Freneau framed as a satisfying confession before the gallows, and he was arrested by the New York Provincial Congress.
This not availing, an angry mob besieged Rivington and his family, driving them to the safety of a British warship, sacked his office and press, and seized his lead type to be melted down and cast into bullets.
They then faced and wheeled to the left, and marched out of town to the tune of Yankee Doodle. A vast concourse of people assembled at the Coffee House, on their leaving the ground, and gave them three very hearty cheers.
A Parliamentarian battle flag, back after 350 years. This ultra-rare English Civil War battle standard, due to go on public display for the first time in three and a half centuries, was kept and preserved by 11 generations of the same English country family. It will be on permanent show at the National Army Museum in London as from this coming Thursday. (National Army Museum).
Cary’s own troop’s cornet was red with a creature in a barrel and the motto ‘come out you cuckold’ (Illustration 1) referring to the Earl of Essex’s notorious marital problems. The creature might be a ‘fox in a barrel’ or perhaps a stag or reindeer without his antlers.
The major’s cornet simply bore the motto ‘cuckolds we come’ (Illustration 2).
So there’s actually a 400 year old tradition of reactionary shitheads calling their opponents cucks?
