It’s interesting how Internet attitudes towards piracy went from “It’s great, but for legal reasons, don’t talk about it here.” to “You’re stealing from the creators!”.
Relatedly, the Internet of old would’ve either ignored or been highly amused by disturbing YouTube videos aimed at children, and they would’ve laughed at the mainstream media for making a big deal out of it similarly to “What is your teen texting?”. Gone is the presumption of ironic detachment, and I miss it.
This has obvious good and obvious bad aspects, and was probably inevitable given simple aging effects, but yeah, I know the feeling you’re describing.
Bezt was born in 1987 in Turek, Poland. He met Sainer in Lodz during their common courses at the Academy of Fine Art. They created Etam Cru (for crew) but this art collaboration doesn’t restrict them to create on their own. With time Betz and Sainer style became similar (that might be one of the reasons they are great friends). They both combine street art techniques with more traditional oil and acrylic painting.
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Deze atoombunker ligt onder het spoor van de halte metrostation Weesperplein. Het station is erg ruim opgezet, mede omdat het als kruisingsstation was gepland voor een toekomstige Oost-Westmetro. Onder het station wat gebruikt wordt ligt nog een station in ruwbouw. Gedurende de Koude Oorlog was dit ‘spookstation’ te gebruiken als schuilkelder voor 16 000 Amsterdammers, in het geval er een nucleaire aanval op Amsterdam gepleegd zou worden. Klik hier voor de beoordeling van deze locatie.
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
Urban Contemporary Art by BEZT
