I have played so many dollar games of pinball directly in front of this sign

Saw The Cabin In The Woods today. All the reviews I read were all “I can’t think of anything at all to say about this plot without running afoul of my weird and pathetic 2000s spoilerphobia.”

Which is odd - to the extent it’s different from any other horror film, the novelty is deliberately put in front of your eyes from the very first scene.

But if they were going to be like that anyway, here’s what they should have said - you know how all horror movies are all basically the same story, only with different, colorful antagonists? Cabin is a horror movie where the antagonist is “horror movies”.

I dunno, Joss’ writing has always been aware, but between this and Dollhouse, he’s lately been hella meta. (Scream was aware horror.)

More meta, in fact, than anything I can recall since Sandman, where storyteller Neil Gaiman used the story of Storytelling incarnate as a frame story for stories about storytellers from famous stories. They should have a meta-off.

Actually, people’ve been trying to put a Sandman movie together since forever, I wouldn’t be surprised if Joss ends up doing it. Maybe that would be the meta-off.

With a script co-written by Charlie Kaufman.

Bam.

(And then the making of the film would be included as an episode in both of two parallel series from Alan Moore and Grant Morrison about the British Invasion authors, which would eventually conclude with each telling the story of the other telling the story of itself.)

BAM.

pleasedontsqueezetheshaman:

(via suprbo)

Oh man that reminds me of the most meta- thing I’ve ever seen.

0) World War II happened.

1) In postwar Japanese pop culture, “thinly or completely unveiled reference to nuclear explosion” is rivaled in thematic popularity only by “thinly or completely unveiled alternate-WWII in which Japan wins and is totally the good guys”.

Actually I’m almost afraid they finally got over this in the late-90s with the passing of a generation. I liked that, something somber and elegaic in the culture that wasn’t pure fanservice or third-generation commercial ripoffs. Anno and Miyazaki and remember when Final Fantasy had Cyan and the ghost train instead of a bunch of fucking EZ-Bake popstars?

2) Okay so there was this recent trend, they call “moe anthropomorphism” to represent things and concepts as cute girls, because obviously, Japan. It was particularly popular in terms of military hardware, because obviously, Japan.

3) Manga, etc., etc., so comics are a big thing in Japan, and part of the farm team for that is working on basically fanfic of established properties, they call it doujin, and like all fanfic, like most pulp, a lot of time it’s only good for the sex. Which is often violent and involves 13 year old girls, because obviously, humanity.

OKAY

4) So 1) and 2) combine to create Strike Witches - it was this series about a school/force of teenage girls representing various planes from all the nations of WWII, like they strap on these leg-things to fly around, and because they’re all allied together against an alien force literally representing militarism and war descending on the world even though no one particularly wants this militarism and war oh no, they’re just all brave and innocent warriors, and they might have to put on these leg things and fight the aliens at any time, they never wear pants so you can see their panties all the time, because obviously, Japan.

5) so 4) and 3)  combine to make a hentai (“pervy”) doujin of Strike Witches. Which I read, to masturbate to. The first twenty pages of this doujin is mostly lesbian dominance, all of the girls breaking down and raping one of the more innocent characters, who was the Japanese one and I think a Mitsubishi Zero?

6) and then 5) combines with 1) again, which was already baked in, and the last 8 or so pages are the apocalyptic showdown with the aliens as seen from the Zero’s eyes. The American and British girls are out of the picture, dismissed in one panel. The French and Italian girls have surrendered and slunk away because they’re pussies.

The French and Italian girls have surrendered and slunk away because they’re pussies, but the two German girls went boldly into battle and lie bloodied and dying on the ground, this is the thing.

And so finally, the Japanese girl is fighting alone. She’s scared, she’s meek - she was the natural submissive for the first 20 pages, getting hazed by all the older nations^H^H^H^H^H^H^H girls but now it’s just her, now it’s her turn to prove her honor, and she jets out shrieking her vengeance, dodging alien missiles, coming straight out of the page…

And the next page is imitation newsprint, with a period photo-offset litho as the header. It’s an alien aircraft carrier, obviously American in design, with an exhaust trail streaking into one side of the island and a giant explosion blossoming out of the other.

And THAT is the most meta- thing I’ve ever seen.

(UPDATE for incoming 9/15/16: Takotsuboya’s “Witch-tachi no No-Pantsu”

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