{"version": "1.0", "type": "rich", "title": "So it\u2019s canonical that the CIA was shaping art trends for national advantage in the Cold War. And, of course, in both the peace...", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/86048604398/", "html": "<p>So it\u2019s canonical that the CIA was shaping art trends for national advantage in the Cold War. And, of course, in both the <a href=\"http://en.wikipedia.org/wiki/Federal_One\" target=\"_blank\">peace</a> and <a href=\"http://en.wikipedia.org/wiki/United_States_Office_of_War_Information\" target=\"_blank\">war</a> periods of the FDR era, the government had entwined with the domestic cultural apparatus, to mutual delight.<br/><br/>Which makes me wonder about all the Hawaiiana - tiki style, <a href=\"http://en.wikipedia.org/wiki/Blue_Hawaii\" target=\"_blank\">the</a> <a href=\"http://en.wikipedia.org/wiki/Girls!_Girls!_Girls!\" target=\"_blank\">Elvis</a> <a href=\"http://en.wikipedia.org/wiki/Paradise,_Hawaiian_Style\" target=\"_blank\">movies</a> - in American culture around the time of Hawaii\u2019s accession to statehood.<br/><br/>Basically, to use the Europa Universalis metaphor, was that America spending culture points to make core on Hawaii?</p>"}