Been thinking about songs, and categories of songs. Not quite genres, but categories that cut across genres. Like yeah, \u201clove song\u201d is a staple of crooner, R&B, and torch genres, but at the same time hard rockers do power ballads and gangsta rappers do slow jams. And in fact they\u2019re kind of given a pass to cut directly against their usual image and output style there specifically because of the recognized crosscutting category.
\nChristmas songs. That\u2019s an interesting one, it\u2019s kind of the granddaddy of novelty music, people put out whole Christmas albums. Of course there\u2019s an economic incentive, if you make it into the canon (last done by Mariah Carey I think) it\u2019s basically royalties forever, and even if not well hey, come December even genre-specific distribution channels are expected to sprinkle in some - like, I know 0 other songs by The Waitresses.
\nStripper songs - I hear the Atlanta strip clubs are a big part of breaking new rappers, but the hair rockers did a lot of songs for/about strippers too, and the n\u00fc metal/votechcore wave of the \u201990s-2000s actually did this a lot better than their radio dirges.
\nThe most marginal one of these categories I can think of is songs designed for a father/daughter dance at a wedding. Yet that still is an actual category, with hundreds of examples, even though I have no idea what the commercial angle would even be there.
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