{"version": "1.0", "type": "rich", "title": "So new post-#MeToo theory of the '90s is that as institutions from businesses to the Senate and Presidency of the United States...", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/718077531013693440/", "html": "<p>So new post-#MeToo theory of the &lsquo;90s is that as institutions from businesses to the Senate and Presidency of the United States &ldquo;grappled with sexual harassment&rdquo; and started reorienting against it and trying to sort practitioners out the NY and LA culture industries held out effectively, relying on tight internal relationships and captive legal and para-legal institutions (&ldquo;privilege&rdquo; meant &ldquo;private law&rdquo;).</p><p>Other norms too \u2013 I cannot emphasize enough how in the 90s fucking teenage groupies was accepted <i>and celebrated</i> as definitional of rock stardom \u2013 this was where you first saw &ldquo;new economy&rdquo; companies generalizing &ldquo;rockstar&rdquo; to &ldquo;elite and valued employee&rdquo;</p><p>This differential sorting left the culture-shaping industries of the time consisting of, and thus the culture guided by, a cohort that was significantly higher in both desire for human exploitation and skill at human manipulation than the rest of society, <b>over and above</b> the dynamics you would normally expect pressing in that direction, and this is critical to understanding '90s culture in retrospect.</p>"}