{"version": "1.0", "type": "rich", "title": "Memories", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/698749423899000833/", "html": "<h1>Memories</h1><p>This is another, lighter album where the music draws the lyrics behind it like <i>1989</i> or <i>Reputation</i>, but she&rsquo;s figured how to hit that balance better. With the lyrics bearing less weight she can play whimsically with the vocal line while <b>constantly</b> wandering into that thing she does where she&rsquo;ll invoke one of her earlier songs in <i>rhythm of intonation</i>, or gauzily underdescribe a scenario or characters in a way that they <i>vibe</i> like she&rsquo;s borrowing from ones she established before </p><p>Snow on the Beach, the song with Lana del Rey, is like the <b>fourth</b> most Lana del Rey song Taylor Swift ever released </p><p>You&rsquo;re On Your Own, Kid is another subtle case of her invoking Jenny Lewis</p><p>Is still kind of sad the Lover era got rained out by COVID, there were some real anthems in there, and it introduced new like, <i>lore</i> about her attitude to like, men and herself. I suppose one role of this album is to reestablish that stuff with a light touch while not being redundant </p><p>Both Midnights and Folklore each feel like plausible follow-ups to Lover, wandering off in directly opposite directions (Evermore felt like a b-sides and outtakes collection)</p><p>The aesthetic for this album is definitely <i>early</i> 80s, her dress and hair and eyeshadow in the promo shots established it and yeah, the music is chime sweeps and horns and digital beeps and 808 drums as <i>embellishments</i> but it&rsquo;s honestly less defining than 1989&rsquo;s periodizing, which was not even that heavy</p><p>Think I bought the deluxe edition but I don&rsquo;t know which ones are the &ldquo;bonus&rdquo; tracks</p><p>Oh, they&rsquo;re on the cover, that&rsquo;s nice</p><p>Paris tossing off a bit about the two meanings of &ldquo;shade&rdquo; is a callback to You Need To Calm Down</p><p>High Infidelity suffers from the way that her unmarked-plausibly-Taylor-as-narrator stuff lately has been so about healthy relationships and relationship skills that it can&rsquo;t switch smoothly to be about relationship conflict of any weight. Folklore she very much rendered her narrators as third-party <i>characters</i></p><p>Honestly might be the first Taylor Swift album you could put on while you do something and enjoy even without paying any attention to the lyrics</p>"}