{"version": "1.0", "type": "rich", "title": "Watching Cats 2019. Thoughts:\nGod, is Rumpleteazer fuckable.\nThey do a really good job assembling the material into a kinda...", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/678735574800154624/", "html": "<p>Watching Cats 2019. Thoughts:</p><ul><li>God, is Rumpleteazer fuckable.</li><li>They do a really good job assembling the material into a kinda coherent plot, with the &ldquo;Victoria&rdquo; character.</li><li>And the way they vision the Jellicles as like, a theater troupe of street kids putting on a show is <i>brilliant. </i></li><li>As is the way they kind of make the setting the early 80s of the show&rsquo;s debut <b>by</b> making it pre-WWII London. </li><li>Skimbleshanks!</li><li>Taylor Swift manages to make being a slinky naughty catgirl <i>astoundingly</i> sexless. </li><li>She is not used well in this at <b>all</b>, but she (&amp; Judi Dench &amp; Ian McKellen) really seems to be enjoying herself.</li><li>They really do right by Mr. Mistoffeles. </li><li>They do Memory well. You <i>have</i> to do it, and make a big thing of it, but there&rsquo;s <b>so</b> many directions you could go overboard. </li><li>Really feels like they got to the end and realized they didn&rsquo;t give Judi Dench a song and were like &ldquo;What do we still have? &lsquo;The Ad-dressing of Cats&rsquo;?&rdquo;</li></ul>"}