{"version": "1.0", "type": "rich", "title": "\u2018bad blood\u2019 (joseph kahn & taylor swift, 2015).", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/676666690121187328/", "html": "

kontextmaschine:

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aintgotnoladytronblues:

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all i gotta say is, if you liked that, and you wanna write it up as \u201cso crazy\u201d or \u201cso cool\u201d or (god forbid) \u201cso feminist\u201d\u00a0or whatever? zack snyder\u2019s sucker punch is sitting right there, waiting for your apologies, then.\u00a0

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if you don\u2019t want to do that? then don\u2019t do that. because do that and y\u2019all better. you know that\u2019s what you just watched a sequel to.

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Sucker Punch (2011) was, imo, one of the only things worth preserving from the 2010s.

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It and Gone Girl are like the first or second week of my 2010s through popular culture survey (the other one, obviously, is Red, which would be the music one that also touches on Lady Gaga, Amy Winestone, Lana Del Rey, Ke$ha and Beyonc\u00e9. In the third week we turn to why we’ve been so female so far.)

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