{"version": "1.0", "type": "rich", "title": "me: With time to reflect, maybe the rise of active, \"transformative\" fandoms and \"remix culture\" we so celebrated in the '90s...", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/651652051157286912/", "html": "<p><a class=\"tumblr_blog\" href=\"/post/174937990873/\" target=\"_blank\">kontextmaschine</a>:</p><blockquote><p class=\"npf_chat\" data-npf='{\"subtype\":\"chat\"}'><b>me:</b> With time to reflect, maybe the rise of active, &ldquo;transformative&rdquo; fandoms and &ldquo;remix culture&rdquo; we so celebrated in the &lsquo;90s really did have a downside.</p><p class=\"npf_chat\" data-npf='{\"subtype\":\"chat\"}'><b>me:</b> At the mildest, with the splintering of audiences, TV viewer-creator interaction has gone so far past alt.tv.simpsons and alt.tv.x-files to the point some shows and creators seem to see their role as *servicing* a social media following in a way that seems like eating seed corn</p><p class=\"npf_chat\" data-npf='{\"subtype\":\"chat\"}'><b>me:</b> And then getting to the &ldquo;toxic&rdquo; fandoms that claim ownership of a media property and viciously defend it even from its creators&hellip; I almost wonder if those authors like Anne Rice who cracked down on fanfiction were on to something, to say &ldquo;no, this is not a LEGO kit of themes, characters, and plot elements to assemble and reassemble according to the instructions or not as you will, it is a coherent and mutually supportive work of art&rdquo;</p><p class=\"npf_chat\" data-npf='{\"subtype\":\"chat\"}'><b>me, five hours later:</b> Alternately, &ldquo;Lestat c'est moi&rdquo;</p></blockquote>"}