{"version": "1.0", "type": "rich", "title": "The Complete Commercial Artist, Volume 15, 1929. Editor:\u00a0Hamada, Masuji (\u6ff1\u7530 \u5897\u6cbb) Via Letterform Archive The japanese journal...", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/627181994298769408/", "html": "<p><a href=\"https://www.design-is-fine.org/post/626617597095444480/the-complete-commercial-artist-volume-15-1929\" class=\"tumblr_blog\" target=\"_blank\">design-is-fine</a>:</p>\n\n<blockquote><p>The Complete Commercial Artist, Volume 15, 1929. Editor:\u00a0Hamada, Masuji (\u6ff1\u7530 \u5897\u6cbb) Via <a href=\"http://oa.letterformarchive.org/item?workID=lfa_periodicals_ccartist_0009&amp;targPic=LFA_Periodicals_CCArtist_0009_012.jpg\" target=\"_blank\">Letterform Archive</a></p><p>The japanese journal shows contemporary typography of the 1920s, including Bifur by Cassandre, early Futura by Paul Renner or the Bauhaus font Universal by Herbert Bayer.</p></blockquote>\n<img src=\"/media/638bf5b490f0a57c9f1eea8c693c84515a6736f3_f95befca9e54.jpg\" />\n<img src=\"/media/7b374620ba290a7cc9d3e464a0e479b66643498a_96fbd6426162.jpg\" />\n<img src=\"/media/9154176f2712f745105839974e205ff0f45525e5_34f941a66e56.jpg\" />\n<img src=\"/media/70153084fa38ac5b1bd4fbc801f267678a847a87_6c02d9955d9e.jpg\" />\n<img src=\"/media/dfbb666681aee0760d5820481fd39d3e7894a37b_9ac6ae90f088.jpg\" />\n<img src=\"/media/f2e8676e989ce39447cdda4b510cc9e8d607109b_31e6839f4ea5.jpg\" />\n<img src=\"/media/e8d4b9abacd542ac971d1425e3dcce89e98e14aa_963ecb3d6d41.jpg\" />\n<img src=\"/media/9d74c102fcb8684ac124015537122d704e67f95f_a77ae258c96b.jpg\" />", "thumbnail_url": "https://kontextmaschine.com/media/638bf5b490f0a57c9f1eea8c693c84515a6736f3_f95befca9e54.jpg", "thumbnail_width": 1280, "thumbnail_height": 889}