I think the Talladega Nights \u201cChristmas Jesus/Easter Jesus\u201d distinction is one of the best bits of cultural criticism of the century.
The point being that American pop-Christianity is, like country music, largely about finding meaning in unremarkable lives by valorizing common life milestones.
Americans find it intuitive to celebrate the birth of a child, seeing it as a pathway to salvation, identifying with the caring or cared-for innocent; the fact that Christianity traditionally also celebrates painful death and torture as a hated outcast is elided
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