{"version": "1.0", "type": "rich", "title": "\u00a0there\u2019s a perfect sociocultural congruence between [Sonic Youth] as individuals and their audience: that burgeoning of a vast...", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/182340366508/", "html": "<p><a href=\"https://shituationist.tumblr.com/post/182338165581/theres-a-perfect-sociocultural-congruence\" class=\"tumblr_blog\" target=\"_blank\">shituationist</a>:</p><blockquote>\n<blockquote><p>\u00a0there\u2019s a perfect sociocultural congruence between [Sonic Youth] as individuals and their audience: that burgeoning of a vast college educated middle class audience for \u201calternative rock\u201d in the 80s and 90s: graduates wanting something a little bit artier and recherche than pop, metal or hardcore, but nothing too foreboding or intimidating: SY fitted the bill perfectly: indeed, Moore and Gordon are the mirror image of their audience: nice, vaguely bohemian/arty middle class urban professionals: Gordon\u2019s links to the NY artworld very symptomatic: and of course art too became an attractive and materially rewarding profession for middle class hipsters in the 90s\u2026.</p></blockquote>\n<p><a href=\"http://k-punk.abstractdynamics.org/archives/011115.html\" target=\"_blank\">Ray Brassier quoted by Mark Fisher</a><br/></p>\n</blockquote>"}