{"version": "1.0", "type": "rich", "title": "me: it\u2019s funny that cyberpunk got associated with the Jan Hammer synths of the sun-soaked Miami Vice and not the dub reggae...", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/180262007738/", "html": "<p class=\"npf_chat\" data-npf='{\"subtype\":\"chat\"}'><b>me:</b> it\u2019s funny that cyberpunk got associated with the Jan Hammer synths of the sun-soaked Miami Vice and not the dub reggae originally set up as the soundtrack of its grimy, shady future</p><p class=\"npf_chat\" data-npf='{\"subtype\":\"chat\"}'><b>also me:</b> illustrating that both aesthetics were merely veneers and the \u201cneon noir\u201d rediscovery of the morally grey *detective story* was the load-bearing element of the \u201880s</p>"}