{"version": "1.0", "type": "rich", "title": "Dolores O\u2019Riordan\u2019s got me thinking about this song again it\u2019s an atrocious \u201890s pastiche, but that\u2019s the general theme of the...", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/169885772768/", "html": "<iframe width=\"500\" height=\"375\"  id=\"youtube_iframe\" src=\"https://www.youtube.com/embed/Tsto_QO1iJ4?feature=oembed&amp;enablejsapi=1&amp;origin=https://safe.txmblr.com&amp;wmode=opaque\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen title=\"The Great Compromise\"></iframe>\n<p>Dolores O\u2019Riordan\u2019s got me thinking about this song again</p><p>it\u2019s an atrocious \u201890s pastiche, but that\u2019s the general theme of the musical and it\u2019s one of the only female leads; this version\u2019s actually pretty great how Maria Elena Ramirez wanders so fluidly through so many Lilith Fair (/pre/post) styles<br/></p><p>the really Cranberries part is 1:07 on to the breakdown<br/></p>"}