{"version": "1.0", "type": "rich", "title": "The Year is 2017", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/156660774288/", "html": "<p><a href=\"http://quoms.tumblr.com/post/156658149907/the-year-is-2017\" class=\"tumblr_blog\" target=\"_blank\">quoms</a>:</p>\n\n<blockquote><p><a href=\"https://gayasscommie.tumblr.com/post/156657977206/the-year-is-2017\" class=\"tumblr_blog\" target=\"_blank\">gayasscommie</a>:</p><blockquote>\n<p><a href=\"https://gayasscommie.tumblr.com/post/156657784816/the-year-is-2017\" class=\"tumblr_blog\" target=\"_blank\">gayasscommie</a>:</p>\n<blockquote>\n<p>A wave of Neo-Fascists have been elected into government, people are desperate, they turn to the relationship that one Japanese video game maker has with his Danish lover, while in the meanwhile, a young girl\u2019s magazine calls for revolution\u2026</p>\n<p>How do these interact? Find out in Will Gibson\u2019s</p>\n<p><i>Emergent Actor</i></p>\n</blockquote>\n<p>Nah second thought this is totally a Neal Stephenson thing Will Gibson wouldn\u2019t write this schlock</p>\n</blockquote>\n<p>it can\u2019t be neal stephenson unless it gets pseudo-dickian and incomprehensible as fuck in the last act. what\u2019s the twist</p></blockquote>\n\n<p>It&rsquo;s not Dickian, it&rsquo;s literally Victorian, Stephenson maximizes for thread elaboration like a by-the-word serializer and then ends things by exhausted abandon</p>"}