{"version": "1.0", "type": "rich", "title": "Whoever told me \u201cthe new Carly Rae Jepsen album is a lot better than you\u2019d expect\u201d, you were correct.\n Whoever told me \u201cthe new...", "author_name": "kontextmaschine", "author_url": "https://kontextmaschine.com", "provider_name": "kontextmaschine", "provider_url": "https://kontextmaschine.com", "url": "https://kontextmaschine.com/post/127825411773/", "html": "<p><a class=\"tumblr_blog\" href=\"http://argumate.tumblr.com/post/127779844969\" target=\"_blank\">argumate</a>:</p>\n<blockquote>\n<p><a class=\"tumblr_blog\" href=\"/post/127778970508/\" target=\"_blank\">kontextmaschine</a>:</p>\n<blockquote>\n<p><a class=\"tumblr_blog\" href=\"/post/127769446643/\" target=\"_blank\">kontextmaschine</a>:</p>\n<blockquote>\n<p>Whoever told me \u201cthe new Carly Rae Jepsen album is a lot better than you\u2019d expect\u201d, you were correct.</p>\n<p>Whoever told me \u201cthe new Carly Rae Jepsen album is actually really good\u201d, you were incorrect.<br/></p>\n</blockquote>\n<p>Like the first few songs sound like they <i>could</i> be on Top 40, yet were better than anything I remember <a href=\"/post/127188645773/\" target=\"_blank\">when</a> I <a href=\"/post/127208475928/\" target=\"_blank\">was</a> listening to Top 40 last week.</p>\n<p>The album starts out banging as fuck. <a href=\"https://youtu.be/TeccAtqd5K8\" target=\"_blank\">Run Away With Me</a> is a <i>great</i> song. It doesn\u2019t blaze any trails, but the footsteps in follows in are like, Annie, Tegan and Sara, CHVRCHES and happycore vocal anthems, a touch of that laser-wireframe Trapper Keeper \u201880s neo-neon-noir shit we\u2019re about lately, all of which are EXTREMELY my jam.</p>\n<p>The next two are solid - the title track puts some bouncy \u201890s anime BGM instrumentation over what are by all rights (and are delivered as) Jackson 5 lyrics, I Really Like You is simple as hell and fun as hell, with some instrumentation from back when they discovered synthesizers and polyrhythm at the same time and went wild.</p>\n<p>But from there, eh, it gets grim and tryhard real quick, and the things it\u2019s imitating start to get even more painfully obvious. Boy Problems is a Victorious Breakup Song (like WANEGBT) done as ersatz Lucky-era Daft Punk but the lyrics are way too on the nose, the one good memorable line is awkwardly deployed.</p>\n<p>Sonically, Your Type rips CHVRCHES <i>waaaaaay</i> too hard and too directly, and lyrically it\u2019s clear someone sat down to write A Friendzone Song in exactly the same sense you\u2019d sit down to write A Book Report About The Giver</p>\n<p>The rest of the album\u2026 there are some good bits, but half of them I\u2019m like \u201cman I wish this bit was in a better song\u201d and the other half I\u2019m like \u201cman I remember when this bit was in a better song\u201d.</p>\n<p>The one thing I\u2019ll say, compared to the other big \u201880s-throwback pop album of the year, Taylor Swift\u2019s 1989, it draws on the dancier, more disco-influenced, diva-y and tbh gayer stuff of the period, and there\u2019s a few tracks on here that are disposable trash as is but would make <i>great</i> fodder for club dance remixes.</p>\n</blockquote>\n<p>Now imagine this review being spoken by someone who just straight up butchered someone with an axe.</p>\n</blockquote>"}